The major Stoic thinker of the Silver Age of Latin literature, in addition to show to the notorious Nero, Seneca used to be additionally an finished dramatist, whose ground-breaking tragedies replaced the process theatre writing. the traditional Classics sequence presents eReaders with the knowledge of the Classical international, with either English translations and the unique Latin texts. For the 1st time in publishing heritage, readers can benefit from the entire works of Seneca the more youthful in one quantity, with attractive illustrations, informative introductions and the standard Delphi bonus fabric. (Version 1)
* fantastically illustrated with photos in relation to Seneca's existence and works
* positive factors the total extant works of Seneca, in either English translation and the unique Latin
* Concise introductions to the essays and different works
* contains translations formerly showing in Loeb Classical Library versions of Seneca’s works
* very good formatting of the texts
* comprises part numbers — perfect for students
* simply find the sections, epistles or works you must learn with person contents tables
* contains Seneca's infrequent physique of essays common QUESTIONS, first time in electronic print
* includes a bonus biography - become aware of Seneca's old world
* Scholarly ordering of texts into chronological order and literary genres
Please stopover at www.delphiclassics.com to flick thru our diversity of interesting titles
THE insanity OF HERCULES
THE TROJAN WOMEN
THE PHOENICIAN WOMEN
HERCULES ON OETA
TO MARCIA, ON CONSOLATION
TO MY mom HELVIA, ON CONSOLATION
TO POLYBIUS, ON CONSOLATION
THE ethical EPISTLES
ON THE SHORTNESS OF LIFE
THE PUMPKINIFICATION OF THE DIVINE CLAUDIUS
ON THE FIRMNESS OF THE clever PERSON
ON THE chuffed LIFE
ON TRANQUILLITY OF MIND
The Latin Texts
LIST OF LATIN TEXTS
INTRODUCTION TO SENECA via John W. Basore
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Extra resources for Complete Works of Seneca (Illustrated)
Instead, she brushes his lips lightly with her fingers and lets him kiss them. It is their last encounter with him. They are sent to the country so as not to see his hanging. 40 It is difficult to know how truthful this story is or what lessons Morris hoped it would impart. MacAdam believed that “Charley” was Morris’s brother, Charley Bosworth, with Carrie meant to represent the young Clara. If the behavior depicted actually took place, an impressionable young girl could have found it disturbing.
Alixe’s “perfect innocence,” so unlike Cora’s “tigerish” power, demanded a different approach. The choices she had made for Article 47 would not work in this play, and she feared that she would not be able to portray Alixe believably. After considering such possible models as Ophelia, she had an epiphany: “Innocence is alike the world over, I thought; it only differs in degrees. I sprang to my feet! I cried joyously: ‘ . . I won’t act at all! ’”16 At first glance, these words are puzzling. Because everything Morris did on stage was, by definition, acting, what could the decision not to act possibly mean?
Within months of their wedding, Selina discovers that her husband is having an affair. She decides to ignore his infidelity and to focus on his positive qualities, not the least of which is that he treats her more kindly than anyone else has for most of her life. After a year and a half of marriage, they have a daughter and are reasonably happy. Then, on one “awful day,” Selina learns the shocking truth and understands why their wedding ceremony took place surreptitiously: her husband is a bigamist as well as a philanderer.