By Ingalls, Albert C.
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There the a rt i s t i c s uccess o r The Cabinet of D r . s Box . H a n \ Girlhood a n d the transves - t i t e Prince Von Pappenheim . Lo u i se B rooks, w h o p layed the t ease 1n America n comed ies, was t ra n s rormed b y Pabst i n t o o n e o r t he most ero t i c crea t ures ever t o h a u nt t he scree n , w h i l e i n a c u r i o u s re versa l , t h e America n von S t ernberg wa s i mport ed t o d i rect a n d make M arl ene D i et rich i n t o the a rcherype o f " the ma n degra d i n g woma n .
Garbo tempts the devil idol i n Jfata Hari (1 932). Tod Browning with his friends, the circus performers, who perform in Freaks at the wedding-feast between the midget and the circus l ady. n of the Cross. 44 Lina B asquette proves her atheism i n The Godless Girl (1929), while Marie Prevost goes behind bars for her delinquency. depart i ng from t he smoke or b urned Rome. Perhaps the fun niest i nci dent of reverse censorsh i p was the R u s s i a n show i ng of anot her of de M i l le ' s films, t h e evangel i st tear-j erker, The Godless Girl ( l 929) .
W h i l e bot h B rooks a n d D i et r i c h never s t r i pped, t he i r s u g ges t i o n o r e v i I wa s so t o t a l t ha t t h e fi I m s were u s ua l ly c u t o r b a n ned t o t he l i m i t ed screen i n g o r f i l m soci et ies. The only t ru l y ero r i c revo l t o r t h e ci nema l a y i n t h a t o u t b urst o r gen i us k n own a s t h e S u rrea l i st C i nema . Fol l ow- Marlene Dietrich degrades Emil Jennings in The Blue A ngel ( 1930). 38 The razor slashes the eyeball i n Un Chien A ndalou ( 1928).